"If we don`t get out of Iraq soon, it`ll be like A Nightmare on Elm Street" (April 2007)

"Certainly the deepest horror, as far as I`m concerned, is what happens to your body at your own hands and others."

"In retrospect, it`s usually pretty easy to look at horror movies and see the influences of the time. And I think right now, with the post-9-11 world and Iraq, creative people are almost being goaded to look at things in the strongest way possible. If you look at the Academy Awards [movies], those are films about real issues. I think everybody is saying, `We have to talk about the nitty-gritty stuff here.` It`s not the time for confections." [March 2006]

"I think there is something about the American dream, the sort of Disneyesque dream, if you will, of the beautifully trimmed front lawn, the white picket fence, mom and dad and their happy children, God-fearing and doing good whenever they can, and the flip side of it, the kind of anger and the sense of outrage that comes from discovering that that`s not the truth of the matter, that gives American horror films, in some ways, kind of an additional rage."

"I like to address the fears of my culture. I believe it`s good to face the enemy, for the enemy is fear."

"Horror films don`t create fear. They release it."

On horror movies: "It`s like boot camp for the psyche. In real life, human beings are packaged in the flimsiest of packages, threatened by real and sometimes horrifying dangers, events like Columbine. But the narrative form puts these fears into a manageable series of events. It gives us a way of thinking rationally about our fears."

"I believe the cinema is one of our principal forms of art. It is an incredibly powerful way to tell uplifitng stories that can move people to cry with joy and inspire them to reach for the stars."