John Landis

  • John Landis
  • John Landis
  • John Landis
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John Landis Biography

John Landis began his career in the mail room of 20th Century-Fox. A high-school dropout, 18-year-old Landis made his way to Yugoslavia to work as a production assistant on Kelly`s Heroes (1970). Remaining in Europe, Landis found work as an actor, extra and stuntman in many of the Spanish/Italian "spaghetti" westerns. Returning to the US, he made his feature debut as a writer-director at age 21 with Schlock (1973), an affectionate tribute to monster movies. Clad in a Rick Baker-designed gorilla suit, Landis starred as "Schlockthropus", the missing link. After working as a writer, actor and production assistant, Landis made his second film, The Kentucky Fried Movie (1977), in collaboration with the Zucker brothers and Jim Abrahams. Landis rose to international recognition as director of the wildly successful Animal House (1978). With blockbusters such as The Blues Brothers (1980), Trading Places (1983), Spies Like Us (1985), ˇThree Amigos! (1986) and Coming to America (1988), Landis has directed some of the most popular film comedies of all time. Other feature credits include Into the Night (1985/I), Innocent Blood (1992) and the comedy/horror genre classic An American Werewolf in London (1981), which he also wrote. In 1986 Landis and four others, were acquitted of responsibility for the tragic accident that occurred in Landis` segment of Twilight Zone: The Movie (1983) in which actor Vic Morrow and two child actors were killed. The film also included segments directed by Joe Dante, George Miller and Steven Spielberg. In 1983 Landis wrote and directed the groundbreaking music video of Michael Jackson`s Thriller (1983) (V), created originally to play as a theatrical short. "Thriller" forever changed MTV and the concept of music videos, garnering multiple accolades including the MTV Video Music Awards for Best Overall Video, Viewer`s Choice, and the Video Vanguard Award - The Greatest Video in the History of the World. In 1991 "Thriller" was inducted into the MVPA`s Hall of Fame. In 1991, Landis collaborated again with Jackson (I) on Black or White (1991) (V), which premiered simultaneously in 27 countries with an estimated audience of 500 million. Although it was not the first motion picture or music video to do so, "Black or White" popularized the use of "digital morphing", where one object appears to seamlessly metamorphoses into another; the project raised the standard for state-of-the-art special effects in music videos. Landis has also been active in television as the executive producer (and often director) of the Ace- and Emmy Award-winning HBO series "Dream On" (1990). Other TV shows produced by his company, St. Clare Entertainment (St. Clare is the patron saint of television), include "Weird Science" (1994), "Sliders" (1995), "Honey, I Shrunk the Kids: The TV Show" (1997), "Campus Cops" (1995) and The Lost World (1998). In 2004 the Independent Film Channel broadcast his feature-length documentary about a used-car salesman, Slasher (2004) (TV). Deer Woman, an original one-hour episode written by Landis and his son Max Landis, inaugurated the "Masters of Horror" (2005) series in the fall of 2005 on Showtime. "Masters of Horror" also features one-hour episodes by John Carpenter, Roger Corman, Tobe Hooper, Don Coscarelli, Mick Garris, Dario Argento and Larry Cohen.

A sought-after commercial director, Landis has worked for a variety of companies including Direct TV, Taco Bell, Coca Cola, Pepsi, Kellogg`s and Disney. He was made

Biography Credit: www.imdb.com/name/nm0000484/bio
 

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Trivia

Trivia and Quotes

Quotes
  • See American Werewolf (In London) is not a comedy. People keep calling it a comedy, it`s very funny I hope, but it is a horror film. We meet these guys in a truckload of sheep. This is not subtle. I mean these boys are dead by the end of the movie. That`s not really a happy tale.
  • [on working with Eddie Murphy on "Trading Places"] His effect was dazzling. There was a "ding!" when he walked on, almost like Marilyn Monroe.
  • I`ve had people come up to me and say Jake and Elwood Blues are these legendary blues artists and I start thinking `uh-oh`.
  • In 1991: "I live with the "Twilight Zone" every day of my life."
  • [Commenting on visiting Paramount for the first time in years.] "I felt like Norma Desmond."
  • I`ve done every job there is to do on a movie set except makeup. Wait a minute, I`ve done makeup. I`ve done every job there is to do on a movie set except hairdressing.
  • When `Animal House` turned out the way it did, they all rushed to me with barrels of money begging me to make them rich.
  • "The [movie industry] ratings board reflect[s] the morals of the times. So now, with Reagan as president, it`s all right to shred children, but bare breasts are pretty disgusting. The morality of the times is deeply sick." American Film Institute speech, January 27, 1982
    Trivia
  • The trademark trivia often mentioned in Landis-directed films, the inclusion in some form of the phrase "See you next Wednesday", is a reference to a line in the Stanley Kubrick film 2001: A Space Odyssey (1968), where astronaut Frank Poole watches a video sent to him by his wife and father on the occasion of his birthday. At the end of the video his wife says, "See you next Wednesday!", an obvious reference to their next available time to transmit a message to the distant spacecraft bound for Jupiter, though since Frank is killed within the next day or two by HAL, it is perhaps meant as an ironic trademark since it seems to occur in Landis films when characters are in great danger. It appears during the werewolf rampage as the title on the marquee of a porno theater in An American Werewolf in London (1981). It is spoken in German when Vic Morrow is being shot at on the building in the sequence he directed for Twilight Zone: The Movie (1983). In The Blues Brothers (1980) it's on a billboard where the the cops are lying in wait. Then again, it mostly appears as the name on movie posters, so that it probably became merely something to watch for like Alfred Hitchcock's cameos. It first appeared in his first film Schlock (1973) as the name of a movie and as a movie poster in a theater lobby. It appeared again in his second film. The Kentucky Fried Movie (1977), as the title of the "Feel-O-Rama" movie. It surfaces in an apartment in Trading Places (1983) on a movie poster. In Coming to America (1988) it appears in a subway station (the movie claims to star Jamie Lee Curtis, who appeared in "Trading Places"). Another poster is visible in Ophelia's apartment. In Spies Like Us (1985) it appears on the recruitment poster behind the desk of the commander of the army training post. In Into the Night (1985/I) it appears on two posters in the office where Ed and Diana make the phone call. In Innocent Blood (1992) it is once again advertised on a movie marquee across the street from the Melody Lounge exotic dance bar near where a car crash takes place. It also appears in the Michael Jackson video Thriller (1983) (V), which was directed by Landis. One of the men chasing the werewolf finds a note and reads this out while the shot shows MJ in the theater eating popcorn.
    (imdb.com)
  • Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 555-559. New York: The H.W. Wilson Company, 1988.
    (imdb.com)
  • One of his favorite movies is Charme discret de la bourgeoisie, Le (1972). He admits that this film inspired the use of the dream within a dream gag in An American Werewolf in London (1981).
    (imdb.com)
  • Spouse: Deborah Nadoolman (27 July 1980 - present) 2 children
    (imdb.com)
  • Member of the jury at the Venice Film Festival in 1989.
    (imdb.com)
  • Once worked as an attendant in a parking lot.
    (imdb.com)
  • Has never shot a film in the 2.35:1 aspect ratio.
    (imdb.com)
  • Went to school with Eliza Roberts.
    (imdb.com)
  • After he dropped out of school at age 17 he worked as mailman at the Fox studios.
    (imdb.com)
  • Father of Max Landis and Rachel Landis.
    (imdb.com)
  • He directed the music videos Thriller (1983) (V) and Black or White (1991) (V), both by Michael Jackson. He has a small cameo as the director in "Black Or White".
    (imdb.com)
  • In his early career he worked as a stunt-man specialising in horse-falls.
    (imdb.com)
  • Frequently works with Dan Aykroyd.
    (imdb.com)
  • Frequently casts other directors and filmmakers in small roles.
    (imdb.com)
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